Début <span class="" id="result_box" lang="fr"><span class="hps">Roberto Rossellini</span> <span class="hps">tourne son film &quot; Rome , ville ouverte&quot;</span> <span class="hps">(1945</span><span>, It.</span><span>)</span> <span class="hps">Officiellement ce film représente</span>&nbsp; le <span class="hps">néo-réalisme italien</span><span> car il est&nbsp;</span> <span class="hps">marqué par</span> <span class="hps">ce</span><span class="hps"> réaliste</span> <span class="hps">d'après-guerre</span><span>.</span>&nbsp; Ces <span class="hps">Caractéristiques</span> <span class="hps">comprennent&nbsp;</span> <span class="hps">l'utilisation</span> <span class="hps">sur site réél</span> <span class="hps">de</span> <span class="hps">la cinématographie,</span> l'emploi <span class="hps">de la pellicule</span> <span class="hps">noir et</span> <span class="hps">blanc et</span> <span class="hps">les acteurs</span> <span class="hps">non formés</span> <span class="hps">dans des scènes</span> <span class="hps">improvisées.</span> <span class="hps">Le</span> <span class="hps">social est&nbsp;</span> <span class="hps">présent</span><span>,</span> <span class="hps">et le style documentaire</span> <span class="hps">du film</span> <span class="hps">montre bien</span> <span class="hps">le désespoir</span> <span class="hps">et la confusion de</span> <span class="hps atn">l'après-</span><span>Seconde Guerre</span> <span class="hps">mondiale</span> <span class="hps">en Europe</span><span>.</span> <span class="hps atn">[</span><span class="">Un autre film qui</span>&nbsp;<span class="hps"> fourni un exemple</span> <span class="hps">précurseur</span> <span class="hps">de ce style</span> <span class="hps">d'après-guerre</span> <span class="hps">était</span> <span class="hps">de Vittorio De Sica</span> <span class="hps">Le Voleur de bicyclette</span> <span class="hps">(1948)</span><span>.</span><span>]</span> <br> Le <span class="hps">Néo-réalisme italien</span><span> est né et est</span> <span class="hps">représenté</span> <span class="hps">par des cinéastes</span> <span class="hps">Rossellini</span><span>,</span> <span class="hps">Luchino</span> <span class="hps">Visconti</span> <span class="hps">et Vittorio</span> <span class="hps">De Sica</span><span>. Il dure</span> <span class="hps">jusqu'en 1952.</span> <span class="hps">Il a&nbsp; une</span> <span class="hps">influence considérable sur le</span> <span class="hps">développement de futurs</span> réalisteurs<span class="hps atn">«</span><span>avant-garde</span><span>» en italie mais aussi à l'internationnal</span> &nbsp;<span class="hps atn"> (</span><span class="atn"></span><span></span><span class="hps">Federico Fellini et</span> <span class="hps">Michelangelo Antonioni,</span> <span class="hps">cinéma-vérité</span><span>,</span> <span class="hps">la Nouvelle Vague française</span> <span class="hps">et les films</span> <span class="hps">non-conformistes</span> <span class="hps">du</span> <span class="hps">Nouvel Hollywood</span><span class="">)</span><span>.</span></span>